Barbara Strozzi, a Venetian singer and composer who lived between 1619 and 1677, stands out as a rare jewel in the musical landscape of the Italian Seicento. The adoptive (and perhaps natural) daughter of Giulio Strozzi, a man of letters belonging to the illustrious Florentine family, she rejected the alternative prospects of matrimony or life in a convent in order to devote herself entirely to her one true passion: music. Moreover, she aimed to assert herself not merely as a performer, but also as a composer, thereby transgressing the strict rules of the period. Over the course of twenty years she published over a hundred and twenty cantatas and other works for solo voice, a number unequalled by any of her contemporaries. In her most significant works she combines the absolute originality of her formal structures with extraordinarily intense and exuberant poetics of the “affects”. In these respects her vocal writing is comparable only with that of the century's greatest Italian composer, Claudio Monteverdi. After five successful albums with Giuliano Carmignola and Mario Brunello, the Accademia dell’Annunciata, conducted by Riccardo Doni, offers us a portrait of this extraordinary artist, arguably the greatest Italian composer of all time. In an era when the music scene was almost exclusively male, Barbara Strozzi managed to carve out a unique place for herself, becoming one of the most fascinating personalities of 17th-century music, a figure that is today given voice by soprano Laura Catrani.