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‘I would give up the unessential; I would give my money, I would give my life for my children; but I wouldn't give myself.’

Heralded as one of the first instances of feminist literature and rejected at its time of publication by the literary set on grounds of moral distaste, Kate Chopin’s The Awakening caused consternation in 1899.

Constrained and confined by the limitations surrounding marriage and motherhood in the late 1800s, Edna Pontellier begins to challenge the notion of femininity through her thoughts and actions. Questioning her love for her husband, and opening herself up to the possibilities of other men and a life outside of societal convention leads to a gradual awakening of her desires.

Chopin’s fascinating exploration of one woman challenging the expectation that surrounds her is powerful, daring and ultimately tragic in its conclusions.

Kate Chopin, née Katherine O’Flaherty, (born Feb. 8, 1851, St. Louis, Mo., U.S.—died Aug. 22, 1904, St. Louis), American novelist and short-story writer known as an interpreter of New Orleans culture. There was a revival of interest in Chopin in the late 20th century because her concerns about the freedom of women foreshadowed later feminist literary themes.

Born to a prominent St. Louis family, Katherine O’Flaherty read widely as a girl. In June 1870 she married Oscar Chopin, with whom she lived in his native New Orleans, Louisiana, and later on a plantation near Cloutiersville, Louisiana, until his death in 1882. After he died she began to write about the Creole and Cajun people she had observed in the South. Her first novel, At Fault (1890), was undistinguished, but she was later acclaimed for her finely crafted short stories, of which she wrote more than 100. Two of these stories, “Désirée’s Baby” and “Madame Celestin’s Divorce,” continue to be widely anthologized.