Товар знаходиться на складі в Європі і доставляється 1 - 2 місяці.
An experienced early-keyboard specialist brings his expertise to the
‘New Testament’ of the piano repertoire.
‘Period’ performances of Beethoven sonatas have become relatively
mainstream during the present century, through artists such as
Robert Levin and Ronald Brautigam. Through them, we have learnt,
or rediscovered, that the turns of phrase in Beethoven’s musical
thinking take on a particular shape and agility when played and
heard on the kind of instrument for which he was writing.
All the same, most modern fortepianos are exactly that: modern.
In this bold new project, Simone Pierini presents the first nine
of Beethoven’s sonatas – from Op.2 to Op.10 – on fully original
instruments of the period. These instruments are identified as the
work of piano-makers Johann Haselmann (end of 18th centuryearly
19th century), Matthias Müller (1822) and Conrad Graf (1830).
