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Renaud Capuçon adds two more great violin concertos from the first half of the 20th century to his discography: the Sibelius and Barber, recorded with the Orchestre de la Suisse Romande and conductor Daniel Harding. Both works – the Sibelius completed in 1905 and the Barber in in 1949 – offer intense, expansive lyricism in their first and second movements and a third movement that bursts with energy. Capuçon’s interpretations now join his other Erato recordings of concertos from the era where late-Romanticism meets Modernism – by Elgar, Korngold and Bartók.