Nietzsche's first published book, The Birth of Tragedy is a compelling argument for the necessity of art in life

This landmark work of criticism is fuelled by Nietzsche's enthusiasms for Greek tragedy, the philosophy of Schopenhauer and the music of Wagner, to whom the book was dedicated. Nietzsche outlined a distinction between two central forces in art: the Apolline, representing beauty and order, and the Dionysiac, a primal or ecstatic reaction to the sublime. He believed the combination of these states produced the highest forms of music and tragic drama, which not only reveal the truth about suffering in life, but also provide a consolation for it. Impassioned and exhilarating in its conviction, The Birth of Tragedy has become a key text in European culture.

Translated by Shaun Whiteside

Edited by Michael Tanner

Friedrich Nietzsche (1844-1900) was born near Leipzig in 1844. When he was only twenty-four he was appointed to the chair of classical philology at Basel University. Works published in the 1880s include The Gay Science, Thus Spoke Zarathustra, Beyond Good and Evil, On the Genealogy of Morals, Twilight of the Idols and The Antichrist. In January 1889, Nietzsche collapsed on a street in Turin and was subsequently institutionalized, spending the rest of his life in a condition of mental and physical paralysis. Works published after his death in 1900 include Will to Power, based on his notebooks, and Ecce Homo, his autobiography.